Русско-санскритский словарь / русско-санскритский словарь.
Около 30 тысяч слов санскрита.
ед.ч. | дв.ч. | мн.ч. | |
---|---|---|---|
Nom. | lāsyam | lāsye | lāsyāni |
Gen. | lāsyasya | lāsyayoḥ | lāsyānām |
Dat. | lāsyāya | lāsyābhyām | lāsyebhyaḥ |
Instr. | lāsyena | lāsyābhyām | lāsyaiḥ |
Acc. | lāsyam | lāsye | lāsyāni |
Abl. | lāsyāt | lāsyābhyām | lāsyebhyaḥ |
Loc. | lāsye | lāsyayoḥ | lāsyeṣu |
Voc. | lāsya | lāsye | lāsyāni |
sg. | du. | pl. | |
---|---|---|---|
Nom. | lāsyaḥ | lāsyau | lāsyāḥ |
Gen. | lāsyasya | lāsyayoḥ | lāsyānām |
Dat. | lāsyāya | lāsyābhyām | lāsyebhyaḥ |
Instr. | lāsyena | lāsyābhyām | lāsyaiḥ |
Acc. | lāsyam | lāsyau | lāsyān |
Abl. | lāsyāt | lāsyābhyām | lāsyebhyaḥ |
Loc. | lāsye | lāsyayoḥ | lāsyeṣu |
Voc. | lāsya | lāsyau | lāsyāḥ |
लास्य [ lāsya ] [ lāsya ] n. dancing , a dance (esp. accompanied with instrumental music and singing) , a dance representing the emotions of love dramatically (this was at one time a principal part of the drama , and as such accord. to Bharata and the Daśa-rūpa consisted of 10 divisions or Aṅgas , viz. [ geya-pada ] , [ sthita-pāṭhya ] , [ āsīna ] , [ puṣpa-gaṇḍikā ] , [ pracchedaka ] , [ tri-gūḍha ] or [ tri-mūḍhaka ] , [ saindhava ] , [ dvigūḍhaka ] or [ vimūḍhaka ] , [ uttamóttamaka ] , and [ ukta-pratyukta ] ; including also a style of dramatic composition in which there is abrupt transition from Sanskṛit to Prākṛit and from Prākṛit to Sanskṛit ; the term [ lāsya ] is also applied to the Nāch ( Nautch ) dance of the Indian dancing girls , consisting chiefly of gesticulation with a shuffling movement of the feet forwards and backwards , as invented by Pārvati and opposed to the boisterous masculine dance called Tāṇḍava practised by Śiva and his followers ; cf. Lit. IW. 467) Lit. MBh. Lit. Kāv.
[ lāsya ] m. a dancer Lit. MārkP.
N. of a king Lit. VP.